The Next Thing

I’ve had an idea kicking around even longer than the Green Man (he’s actually one of the more recent). A raven done in Celtic knot work. I figured out the knot several years ago in a sketchbook and never did anything about it.

Knotted Raven 72

Earlier this year I got a call for submissions for a juried art show on the subject of Crow/Raven: Magic and Mystery. But the art wasn’t anywhere near being ready for something like that, so I never even responded. Then about a month ago, at an opening for a show my wife was in, I met the curator for the Crow/Raven show. In the course of our conversation, he prodded me, wondering how long it would take me to get the art finished. When I convinced him that was not going to happen, he told me there was a lecture series associated with the show, and asked me if I would like to work on the art in the lobby between the lectures.

For some strange reason it took a bit of convincing for me to say yes, but I did. As a result, I will be working (painting, hopefully) on my knot work Raven on Sunday, June 8th, from 1pm to 2pm, somewhere in Blakely Hall in the Issaquah Highlands. Stop by if you can and say hi. I will be working, but having a conversation will be just as much fun. And the lectures sound fantastic.

I’m really looking forward to it. Hope to see some of you there.


Green Man at Last

Hmmm. I was supposed to post something about the final Green Man art, but things got a bit hectic at the end. There I was, pleasantly painting away, when I got a phone call from a gallery I’ve displayed at before. Turns out they had a big show coming up and wondered if I had anything to submit. Well technically I didn’t because the piece wasn’t done. But I had two weeks before the show was hung. That’s plenty of time. Right?

This was at the end of April and if you look at the progress of the art in the previous post, it wasn’t a lot farther along. In fact it was going to be a push to get the piece ready at all. After it was finished, I had to have it scanned, and then framed. It all came together, but just in time.


Normally I do my own scanning, but this was for reproduction. So I took it to a local shop, the Color Group, and the results were fabulous. Apparently they use an old drum scanner and the optics are amazing. One of the papers the use to make prints is the same as what the art was painted on: Arches 140# hot press watercolor paper. They gave me a color proof on the hot press. Stunning. The framer actually thought it was the original when she saw it.

And now that I have a GOOD scan, and once I figure out a web site I can sell from, there will be prints available. Go ahead and contact me if you’re interested and I can put your name on a list. Then I can send out an announcement when I have all my ducks in a row.

Until then, on to the next thing…