Most people wouldn’t have a clue as to what the title of this post refers to. Even if they were given the hint ‘mythology’. That’s because the mythology we are usually taught in school (if at all) is from the Egyptian era, and/or from Greece and Rome. The mythology I’m working with here is Norse and while there may be some similarities (how many cultures have a war god[dess] or a love god[dess], etc.) the stories are very different and rich with symbolism.
The background color block for the Norns print. I carved the line work first, then made a print using a lot of ink. I then transferred that print to this block to use as a guide. I only had to make minor adjustments in the carving after the first proof.
The Norns are a trio of goddesses conceptually aligned with the Greek Fates and I’ve depicted them in a similar fashion. Urd, what has become, is spinning the yarn of our existence. It is what we are. Verdandi, what will become, is measuring out the yarn. This is not a fatalistic viewpoint, but one of potential. She simply measures and our actions guide her hands. Skuld, what should become, cuts the yarn. Again, she does not decide our fate. It is up to us to determine how to use the time we have.
The first print run of the Norns. I used a mix of dark yellow and white to come up with a Naples Yellow-like color. You can see that the background isn’t a solid color, but has a Norse scrolly design that I hope reflects the roots of Yggdrasill, where the Norns live.
The Norns, who live at a well among the roots of Yggdrasill, the Norse World Tree, are also said to weave these threads into a tapestry and to carve the runes for peoples lives into Yggdrasill’s trunk.
The Norns with the black line work on top of the yellow.
Fenrir was a giant wolf and one of the sons of Loki, the god of transformation, trickery, and chaos.
The block for Tyr and Fenrir, inked and sitting in my makeshift printing frame. Apologies for the washed out pic.
It was foretold that Fenrir would slay Odin at Ragnarok, the final battle. So the gods tried to trick Fenrir into being bound by magic cords, saying that they were only testing the strength of the cords, and they would release him as soon as the cords were tested. Fenrir, who was no fool, didn’t trust the gods.
The first print, an artist’s proof, to make sure everything looks OK. The carving was fine, but we decided to lighten up the brown. It also let me know how much pressure I needed to use to get a clean print. (A lot.)
So he asked for one of them to put their hand in his mouth as surety of his release. Only Tyr, the great warrior, was willing to do this, knowing full well that Fenrir would not be released. For this, he lost his right hand, and he is considered to be the embodiment of willing sacrifice.
A few of the prints in this run. You probably can’t see the difference in the ink color, but it really was an improvement.
Heavy stuff, huh? Here’s a sneak peek at the next block to lighten the mood. The sketches for it are under all the shavings. It will be of Slepnir, Odin’s eight legged horse, Because who wouldn’t want one of those?
You can see a hoof and three of Slepnir’s eight legs.