End of the Digression


Well, they are printed, signed, numbered, and listed on my Etsy shop. These Norse Griffins were an experiment and time will tell how successful an experiment it was. My original thought was to have them for sale at the Oddmall show, but I completely ignored the logistics of how to sell unfinished art. Any promotional effort I made was too little, too late. And my hope of generating interest in my other linocut prints with my demo, never materialized.


This is not to say that the endeavor was a failure. I learned a lot, and it may yet prove to be profitable. I’m certainly not sorry I took the leap.

For the geeking out aspect, I’m including a series of images showing the progression of the reduction printing process. I always find it challenging in a good way.  Multi-color printing without a safety net.

Griffin 1stColor

The first color. I carved away everything I wanted to stay white.

Griffin 2ndColor

The second color. Here I carved away everything I wanted to show as red.

Griffin 2ndColorCombo

And this is what the second color looks like printed on top of the first. The color balance is a bit off in this picture, but the orange toned down to a pumpkin like color.

Griffin 3rdColor

The third color, a blue-black mix attempting to match indigo. This outline is all that is left of the original block.

Griffin Final

And lastly, the third color printed on top of the others.


Little Guy and Griffin

This is the last entry before my printshop-in-a-show experiment. I’m nervous and excited. I think as long as I don’t leave something critical at home, it should be a lot of fun.


The final color carved, inked, and ready to go.

I printed the third color on my little test subject. It’s a mixed blue trying to get close to indigo. When I pulled the first clean proof I could not help but smile. There is something entrancing about seeing this image appear for the first time.


My little dudes lined up. The background isn’t quite as pink as it appears here.

Yes, I drew it and it’s nearly symmetrical, but you never really know what the final image will look like. That, at least for me, is one of the attractions of printmaking.

Griffin Carved

The first step, carving away what will be white.

I have much still to do today; print the first color on the griffin, get more supplies, print new signage, pack things up. But I can’t wait until that moment on Sunday when I pull the first finished griffin.

A Tangent Off the Digression

If you read my previous post you will know that I have temporarily veered away from my all-consuming zodiac project to prep for a show this coming weekend. I will be printing a linoleum block reduction print on site at Oddmall Tacoma. One of the features of a reduction print is the overlay of colors. Unlike multiple block prints where each color has its own block, reduction prints use only one block which is carved away as the printing process progresses. This means you only get one shot at it. So instead of risking a major public face-plant, I decided to test my color ideas.

I could have just cut some simple geometric shapes and run some color tests, but where’s the fun in that? The paper for the Griffin piece is 8×10 and after cutting down the parent sheets, I was left with thirty 4×6’s. I got a 2×3 block when I went to buy more ink and started drawing.


The image drawn directly onto the block in pencil and then refined in pen.

The image is derived from an ornament on a horse collar from an archeological find in Søllested, Denmark. The Griffin is also inspired by beasts on the horse collars in the same find.


The areas I want to stay white have been carved out. I lowered the angle of my desk light to hopefully show the carving.

My previous multi-color Norse block prints have had a Naples yellow-like background and I wanted to do something different that would still feel like it was part of the same series. On the mixing glass and on the block, the ink looks way too pink, but the print came out close enough to what I wanted.


The mixed ink and the ink on the block.


First impression drying inside the studio.

The second color is lighter than the first and I had no idea how well it would cover. The mix is yellow ochre-ish, but because it’s on top of the rose color it changes to a gold or Raw Sienna.


The yellow ink on the block and the print ready for the second impression.


After the second impression.

Next up will be the outline in a dark blue and carving the Griffin.


The Digression

I’m going to take a slight break from the Zodiac project this week to prepare for a show I’m doing next weekend. Originally it was not on my schedule, but the date opened up and spaces were still available.

The show, Oddmall, has been in Everett,WA for a few years and I’ve done it since 2014, both in fall and summer. Now the organizer is expanding his reach down to Tacoma and I decided to give the new venue a try. I was able to obtain a second booth space at a discount and wondered “What could I do with the extra space?” My inventory comfortably fills a 6×8 booth so twice the space with the same stock would look sparse. But I’ve been listening to a podcast on art marketing, selling, working conventions, etc. and following their advice, I saw a possibility.

I could set up a print shop.


A print run from a couple years ago in my studio.

I don’t have a press any more, but all the printing I’ve been doing lately has been by hand, using a barren. The ink I use is water-soluble, so no stinky solvents. The promoter thought it was a great idea and we got the go-ahead from the venue. So here I go!


The original sketch, about 5×7.

Since my shop name is the Literate Griffin, I decided to do a Norse inspired griffin, done as a reduction print in a very limited run, and available only at the show.


I placed the original sketch face down on a linoleum block and used the side of a medium-soft pencil to to transfer the image.

I’ll post updates and shots from the event. Or better yet, come see me there!

Virgo Detail

I’m going to try to keep these posts coming more frequently. So they may not have very zippy titles. I’m also posting on Instagram (kecain59), my website blog (kevinecain.com), and on Facebook, hopefully every weekday.

This is a detail of the border for mutable Earth on the Virgo piece. Normally Celtic spirals are painted in three different colors, but since these borders​ are related to the elements, I’m keeping them monochromatic. For Earth I’m using Oxide of Chromium, Serpentine Genuine, and a mix of Sap, Oxide, and probably something​ else. My palette gets a little chaotic.VirgoBorderDetail